SATYABHAMA MAJHI
Art • Research • Nature • Community
"Unurbanisation"
Art • Research • Nature • Community
"Unurbanisation"
Satyabhama is an artist from Bhubaneswar (Odisha) practicing in varied expressions such as painting, Installation art, sculpting and photography. Her strength is painting and she does a lot of concepts on Growing Urbanization. Apart from that, she also undertakes many socially relevant and much needed projects where she takes art as a medium to engage with the community.
To use art as a medium for awareness, education, and empowerment. The mission is to promote sustainability through art, inspire creativity that respects nature and humanity, and create meaningful impact through research, collaboration, and community participation.
To build a compassionate and sustainable world where art, nature, and community thrive together. The vision is to create a future guided by creativity and strong values, where communities are empowered through art and knowledge while nature is respected and protected for generations to come.
"Dedicated artistic journey spanning from 2006 to till date, pioneering community art, workshops, public murals, and natural pigment paintings."
Continuous canvas practice, natural earth pigment research, unurbanisation reflections, and environmental painting series.
Collaborative rural installations, tribal artisan engagements, and village co-creation initiatives with Sasatwa Foundation.
Urban wall murals, public monument art, heritage installations, and civic space visual transformations.
Spearheading large-scale ecological art installations, rural community art workshops, workshops with school children, and public wall murals across Odisha and national curatorial platforms.
Traversing rural landscapes, documenting landscape shifts, conducting artist residencies, and building mixed-media pigment portfolios reflecting ecological changes.
Receiving state-level honors and Lalit Kala Academy recognition for solo exhibitions, public art initiatives, and regional contemporary workshops.
Launching professional practice in 2006, experimenting with natural earth pigments, traditional motifs, and early community dialogue.
Field notes on the organic pigment harvesting techniques used by forest-dwelling communities.
A philosophical inquiry into modern concrete expansion versus natural eco-preservation.